New York City is on 'high alert' after reporting 100 cases of a rare inflammatory disease apparently tied to COVID-19 in children.

The city recently began reporting rising cases of paediatric multi-system inflammatory syndrome, an illness that officials say is similar to toxic shock or Kawasaki disease, with symptoms including a fever and abdominal pain and which 'appears to be linked to an immune response to COVID-19,' The New York Times reports.

City Mayor Bill de Blasio, in a press briefing on Thursday said, "We are now on high alert in addressing the syndrome after the number of confirmed cases of paediatric multi-system inflammatory syndrome in the city has reached 100." "Among those cases, 55 children have tested positive for COVID-19 or the antibodies", de Blasio said, "and one child has died." Two other children have also died from the illness in New York State, according to the Times. De Blasio had reported 82 cases of the syndrome in the city.

These developments continue to be 'really troubling' after it was previously thought that "children seemed to have very little effect from this disease," de Blasio said. He urged parents to call their doctor immediately if a child had a persistent fever, a rash, abdominal pain, vomiting, and especially a combination of these symptoms.

New York City is on 'high alert' after reporting 100 cases of a rare inflammatory disease apparently tied to COVID-19 in children.

The city recently began reporting rising cases of paediatric multi-system inflammatory syndrome, an illness that officials say is similar to toxic shock or Kawasaki disease, with symptoms including a fever and abdominal pain and which 'appears to be linked to an immune response to COVID-19,' The New York Times reports.

City Mayor Bill de Blasio, in a press briefing on Thursday said, "We are now on high alert in addressing the syndrome after the number of confirmed cases of paediatric multi-system inflammatory syndrome in the city has reached 100." "Among those cases, 55 children have tested positive for COVID-19 or the antibodies", de Blasio said, "and one child has died." Two other children have also died from the illness in New York State, according to the Times. De Blasio had reported 82 cases of the syndrome in the city.

These developments continue to be 'really troubling' after it was previously thought that "children seemed to have very little effect from this disease," de Blasio said. He urged parents to call their doctor immediately if a child had a persistent fever, a rash, abdominal pain, vomiting, and especially a combination of these symptoms.

New York City is on 'high alert' after reporting 100 cases of a rare inflammatory disease apparently tied to COVID-19 in children.

The city recently began reporting rising cases of paediatric multi-system inflammatory syndrome, an illness that officials say is similar to toxic shock or Kawasaki disease, with symptoms including a fever and abdominal pain and which 'appears to be linked to an immune response to COVID-19,' The New York Times reports.

City Mayor Bill de Blasio, in a press briefing on Thursday said, "We are now on high alert in addressing the syndrome after the number of confirmed cases of paediatric multi-system inflammatory syndrome in the city has reached 100." "Among those cases, 55 children have tested positive for COVID-19 or the antibodies", de Blasio said, "and one child has died." Two other children have also died from the illness in New York State, according to the Times. De Blasio had reported 82 cases of the syndrome in the city.

These developments continue to be 'really troubling' after it was previously thought that "children seemed to have very little effect from this disease," de Blasio said. He urged parents to call their doctor immediately if a child had a persistent fever, a rash, abdominal pain, vomiting, and especially a combination of these symptoms.

New York City is on 'high alert' after reporting 100 cases of a rare inflammatory disease apparently tied to COVID-19 in children.

The city recently began reporting rising cases of paediatric multi-system inflammatory syndrome, an illness that officials say is similar to toxic shock or Kawasaki disease, with symptoms including a fever and abdominal pain and which 'appears to be linked to an immune response to COVID-19,' The New York Times reports.

City Mayor Bill de Blasio, in a press briefing on Thursday said, "We are now on high alert in addressing the syndrome after the number of confirmed cases of paediatric multi-system inflammatory syndrome in the city has reached 100." "Among those cases, 55 children have tested positive for COVID-19 or the antibodies", de Blasio said, "and one child has died." Two other children have also died from the illness in New York State, according to the Times. De Blasio had reported 82 cases of the syndrome in the city.

These developments continue to be 'really troubling' after it was previously thought that "children seemed to have very little effect from this disease," de Blasio said. He urged parents to call their doctor immediately if a child had a persistent fever, a rash, abdominal pain, vomiting, and especially a combination of these symptoms.

New York City is on 'high alert' after reporting 100 cases of a rare inflammatory disease apparently tied to COVID-19 in children.

The city recently began reporting rising cases of paediatric multi-system inflammatory syndrome, an illness that officials say is similar to toxic shock or Kawasaki disease, with symptoms including a fever and abdominal pain and which 'appears to be linked to an immune response to COVID-19,' The New York Times reports.

City Mayor Bill de Blasio, in a press briefing on Thursday said, "We are now on high alert in addressing the syndrome after the number of confirmed cases of paediatric multi-system inflammatory syndrome in the city has reached 100." "Among those cases, 55 children have tested positive for COVID-19 or the antibodies", de Blasio said, "and one child has died." Two other children have also died from the illness in New York State, according to the Times. De Blasio had reported 82 cases of the syndrome in the city.

These developments continue to be 'really troubling' after it was previously thought that "children seemed to have very little effect from this disease," de Blasio said. He urged parents to call their doctor immediately if a child had a persistent fever, a rash, abdominal pain, vomiting, and especially a combination of these symptoms.

Blue Pottery is widely recognised as a traditional craft of Jaipur, though it is Turko-Persian in origin. The name 'blue pottery' comes from the eye-catching cobalt blue dye used to colour the pottery. It is relatively unusual as a type of luxury Indian pottery as most Indian types are functional and though often highly decorated, relatively low prestige wares.

Jaipur blue pottery, is glazed and low-fired. No clay is used: the 'dough' for the pottery is prepared by mixing quartz stone powder, powdered glass, fuller’s earth, borax, gum and water.

Some of this pottery is semi-transparent and mostly decorated with bird and animal motifs. Being fired at very low temperature makes them fragile. The range of items is primarily decorative, such as vases, coasters, small bowls, boxes for trinkets. The colour palette is restricted to blue derived from the cobalt oxide, green from the copper oxide and white, though other non-conventional colours, such as yellow and brown, are sometimes included.

The use of blue glaze on pottery is an imported technique, first developed by artisans who combined Chinese glazing technology with Persian decorative arts. This technique traveled east to India with early Turkic conquests in the 14th century. During its infancy, it was used to make tiles to decorate mosques, tombs and palaces in Central Asia. Later, following their conquests and arrival in India, the Mughals began using them in India. Gradually the blue glaze technique grew beyond an architectural accessory to Indian potters. From there, the technique traveled to the plains of Delhi and in the 17th century went to Jaipur.

Other accounts of the craft state that blue pottery came to Jaipur in the early 19th century under the ruler Sawai Ram Singh II. The Jaipur king had sent local artisans to Delhi to be trained in the craft. However, by the 1950s, blue pottery had all but vanished from Jaipur, when it was re-introduced through the efforts of the muralist and painter Kripal Singh Shekhawat, with the support of patrons such as Kamladevi Chattopadhaya and Rajmata Gayatri Devi.

Blue Pottery is widely recognised as a traditional craft of Jaipur, though it is Turko-Persian in origin. The name 'blue pottery' comes from the eye-catching cobalt blue dye used to colour the pottery. It is relatively unusual as a type of luxury Indian pottery as most Indian types are functional and though often highly decorated, relatively low prestige wares.

Jaipur blue pottery, is glazed and low-fired. No clay is used: the 'dough' for the pottery is prepared by mixing quartz stone powder, powdered glass, fuller’s earth, borax, gum and water.

Some of this pottery is semi-transparent and mostly decorated with bird and animal motifs. Being fired at very low temperature makes them fragile. The range of items is primarily decorative, such as vases, coasters, small bowls, boxes for trinkets. The colour palette is restricted to blue derived from the cobalt oxide, green from the copper oxide and white, though other non-conventional colours, such as yellow and brown, are sometimes included.

The use of blue glaze on pottery is an imported technique, first developed by artisans who combined Chinese glazing technology with Persian decorative arts. This technique traveled east to India with early Turkic conquests in the 14th century. During its infancy, it was used to make tiles to decorate mosques, tombs and palaces in Central Asia. Later, following their conquests and arrival in India, the Mughals began using them in India. Gradually the blue glaze technique grew beyond an architectural accessory to Indian potters. From there, the technique traveled to the plains of Delhi and in the 17th century went to Jaipur.

Other accounts of the craft state that blue pottery came to Jaipur in the early 19th century under the ruler Sawai Ram Singh II. The Jaipur king had sent local artisans to Delhi to be trained in the craft. However, by the 1950s, blue pottery had all but vanished from Jaipur, when it was re-introduced through the efforts of the muralist and painter Kripal Singh Shekhawat, with the support of patrons such as Kamladevi Chattopadhaya and Rajmata Gayatri Devi.

Blue Pottery is widely recognised as a traditional craft of Jaipur, though it is Turko-Persian in origin. The name 'blue pottery' comes from the eye-catching cobalt blue dye used to colour the pottery. It is relatively unusual as a type of luxury Indian pottery as most Indian types are functional and though often highly decorated, relatively low prestige wares.

Jaipur blue pottery, is glazed and low-fired. No clay is used: the 'dough' for the pottery is prepared by mixing quartz stone powder, powdered glass, fuller’s earth, borax, gum and water.

Some of this pottery is semi-transparent and mostly decorated with bird and animal motifs. Being fired at very low temperature makes them fragile. The range of items is primarily decorative, such as vases, coasters, small bowls, boxes for trinkets. The colour palette is restricted to blue derived from the cobalt oxide, green from the copper oxide and white, though other non-conventional colours, such as yellow and brown, are sometimes included.

The use of blue glaze on pottery is an imported technique, first developed by artisans who combined Chinese glazing technology with Persian decorative arts. This technique traveled east to India with early Turkic conquests in the 14th century. During its infancy, it was used to make tiles to decorate mosques, tombs and palaces in Central Asia. Later, following their conquests and arrival in India, the Mughals began using them in India. Gradually the blue glaze technique grew beyond an architectural accessory to Indian potters. From there, the technique traveled to the plains of Delhi and in the 17th century went to Jaipur.

Other accounts of the craft state that blue pottery came to Jaipur in the early 19th century under the ruler Sawai Ram Singh II. The Jaipur king had sent local artisans to Delhi to be trained in the craft. However, by the 1950s, blue pottery had all but vanished from Jaipur, when it was re-introduced through the efforts of the muralist and painter Kripal Singh Shekhawat, with the support of patrons such as Kamladevi Chattopadhaya and Rajmata Gayatri Devi.

Blue Pottery is widely recognised as a traditional craft of Jaipur, though it is Turko-Persian in origin. The name 'blue pottery' comes from the eye-catching cobalt blue dye used to colour the pottery. It is relatively unusual as a type of luxury Indian pottery as most Indian types are functional and though often highly decorated, relatively low prestige wares.

Jaipur blue pottery, is glazed and low-fired. No clay is used: the 'dough' for the pottery is prepared by mixing quartz stone powder, powdered glass, fuller’s earth, borax, gum and water.

Some of this pottery is semi-transparent and mostly decorated with bird and animal motifs. Being fired at very low temperature makes them fragile. The range of items is primarily decorative, such as vases, coasters, small bowls, boxes for trinkets. The colour palette is restricted to blue derived from the cobalt oxide, green from the copper oxide and white, though other non-conventional colours, such as yellow and brown, are sometimes included.

The use of blue glaze on pottery is an imported technique, first developed by artisans who combined Chinese glazing technology with Persian decorative arts. This technique traveled east to India with early Turkic conquests in the 14th century. During its infancy, it was used to make tiles to decorate mosques, tombs and palaces in Central Asia. Later, following their conquests and arrival in India, the Mughals began using them in India. Gradually the blue glaze technique grew beyond an architectural accessory to Indian potters. From there, the technique traveled to the plains of Delhi and in the 17th century went to Jaipur.

Other accounts of the craft state that blue pottery came to Jaipur in the early 19th century under the ruler Sawai Ram Singh II. The Jaipur king had sent local artisans to Delhi to be trained in the craft. However, by the 1950s, blue pottery had all but vanished from Jaipur, when it was re-introduced through the efforts of the muralist and painter Kripal Singh Shekhawat, with the support of patrons such as Kamladevi Chattopadhaya and Rajmata Gayatri Devi.

Blue Pottery is widely recognised as a traditional craft of Jaipur, though it is Turko-Persian in origin. The name 'blue pottery' comes from the eye-catching cobalt blue dye used to colour the pottery. It is relatively unusual as a type of luxury Indian pottery as most Indian types are functional and though often highly decorated, relatively low prestige wares.

Jaipur blue pottery, is glazed and low-fired. No clay is used: the 'dough' for the pottery is prepared by mixing quartz stone powder, powdered glass, fuller’s earth, borax, gum and water.

Some of this pottery is semi-transparent and mostly decorated with bird and animal motifs. Being fired at very low temperature makes them fragile. The range of items is primarily decorative, such as vases, coasters, small bowls, boxes for trinkets. The colour palette is restricted to blue derived from the cobalt oxide, green from the copper oxide and white, though other non-conventional colours, such as yellow and brown, are sometimes included.

The use of blue glaze on pottery is an imported technique, first developed by artisans who combined Chinese glazing technology with Persian decorative arts. This technique traveled east to India with early Turkic conquests in the 14th century. During its infancy, it was used to make tiles to decorate mosques, tombs and palaces in Central Asia. Later, following their conquests and arrival in India, the Mughals began using them in India. Gradually the blue glaze technique grew beyond an architectural accessory to Indian potters. From there, the technique traveled to the plains of Delhi and in the 17th century went to Jaipur.

Other accounts of the craft state that blue pottery came to Jaipur in the early 19th century under the ruler Sawai Ram Singh II. The Jaipur king had sent local artisans to Delhi to be trained in the craft. However, by the 1950s, blue pottery had all but vanished from Jaipur, when it was re-introduced through the efforts of the muralist and painter Kripal Singh Shekhawat, with the support of patrons such as Kamladevi Chattopadhaya and Rajmata Gayatri Devi.